วันอาทิตย์ที่ 3 กุมภาพันธ์ พ.ศ. 2556

The Original Sound of Music Tour

The Original Sound of Music Tour


Bus-Terminal Mirabellplatz - St. Andrä Kirche
A-5020 Salzburg




Sound of Music Tour

Tour 1A: As seen in the Movie!



A wonderful ride with breathtaking views of the landscape where the opening scenes were filmed. Relax and listen to the original Sound of Music soundtrack. Our English-speaking guide not only shows you the highlights of the film 'Sound of Music' but also the historical and architectural landmarks in the city, as well as a part of the picturesque lake district.The Mirabell Gardens were laid out in the 18th century. Maria and the children were seen dancing around the statue of Pegasus, the winged horse, and throughout the gardens singing 'Do-Re-Mi'.Leopoldskron Palace - the front side of the castle was used as the Trapp family home, the children were boating on the Leopoldskron Lake and fell into the water. The Venetian room was copied from the castle and used as the ballroom.Hellbrunn Palace - this hunting castle was built in the early 17th century by Prince-Archbishop Markus Sittikus. In the gardens the glass pavillion was reconstructed for the pleasure of those fans still returning after 30 years.Nonnberg Abbey is the oldest convent in the German speaking part of Europe. Maria was a novice there. The baron and Maria were married here in 1927. The scenes for the movie made here include the opening with the nuns going to Mass and Maria coming too late.Scenery shown at the beginning of the movie was filmed at Lake Fuschl on the way to St. Gilgen. Like the Mozart family, visitors from all over the world appreciate the beautiful village in the Salzkammergut.In Mondsee Cathedral the film wedding between Julie Andrews as Maria and Christopher Plummer as the Baron took place.



วันเสาร์ที่ 2 กุมภาพันธ์ พ.ศ. 2556


about classical

[-]
Classical music is hard to define in specific terms, but it is generally understood to be music rooted in Western European traditions performed by trained musicians in formal settings like concert halls, opera houses, and churches. Its key emphasis is the faithful interpretation of composers' written scores. Classical music's roots lie in the chant melodies of Medieval religious rites. Its contemporary incarnation encompasses everything from opera and the symphony orchestra to chamber ensembles, solo works, choral music, songs, film music, and the avant-garde. Works from the intervening centuries make up the bulk of the recorded repertory, and they mirror the artistic and architectural trends of the Renaissance, Baroque, Classical, Romantic, and Modern eras in their sound worlds and conception. The dichotomy between classical and popular music is a fairly recent cultural development. In fact, much of what is considered classical music today grew out of, was influenced by, or was popular music of its time.

classical subgenres and styles

Classical

featured classical albums

The score to the final installment of the Twilight Saga cranks up the drama and the action.

featured classical albums

about country



Country music is about tradition, yet its simple form lends itself to endless variations on similar themes. Like blues -- the two genres often shared themes, melodies and songs -- country is a simple music at its core. Most of its songs are built around three chords and a plain melody, but these forms are so basic, they allow for many different styles, from the gritty sounds of honky tonk to the jazzy improvisations of Western Swing. Country music grew out of American Southern folk music, both Appalachian and blues, and old-time 
country was simple and folky, with just guitars and fiddles. As the genre progressed, old time music evolved into the rhythmic guitar-and-fiddle driven traditional country that became the foundation of modern country music, from honky tonk and Western Swing to the pop-oriented Countrypolitan and rock-inflected Bakersfield Sound.


review

Alone among her peers, Taylor Swift appears genuine. Which isn't to say she's without affectation or that she avoids artifice. She uses both when it suits her, as any real pop star would -- and if her 2012 albumRed intends to do anything, it's to prove Taylor is a genuine superstar, the kind who transcends genre, the kind who can be referred to by a single name. Uneven as it is -- and it is, running just a shade too long as it sprints along in its quest to be everything to everyone -- Red accomplishes this goal with ease, establishing Taylor Swift as perhaps the only genuine cross-platform superstar of her time. Naturally, in order to accomplish this transition from country ingénue to pop star, Swift takes her country bona fides for granted, ignoring Nashville conventions as she rushes to collaborate with Britney Spears hitmakerMax Martin and Snow Patrol's Gary LightbodyRed isn't sequenced like a proper album, it's a buffet, offering every kind of sound or identity a Swift fan could possibly want. Taylor deftly shifts styles, adapting well to the insistent pulse of Martin, easing into a shimmering melancholy reminiscent of Mazzy Star ("Sad Beautiful Tragic") and coolly riding a chilly new wave pulse ("The Lucky One"). Combined with the unabashed arena rock fanfare of "State of Grace" and the dance-pop of "We Are Never Ever Getting Back Together" and the dubstep feint "I Knew You Were Trouble" -- not to mention the ludicrous club-filler "22" -- Red barely winks at country, and it's a better album for it. It is, as all pop albums should be, recognizable primarily as the work of Taylor Swift alone: her girlish persona is at its center, allowing her to try on the latest fashions while always sounding like herself. Although she can still seem a little gangly in her lyrical details -- her relationship songs are too on the nose and she has an odd obsession about her perceived persecution by the cool kids -- these details hardly undermine the pristine pop confections surrounding them. If anything, these ungainly, awkward phrasings humanizes this mammoth pop monolith: she’s constructed something so precise its success seems preordained, but underneath it all, Taylor is still twitchy, which makes Red not just catchy but compelling.

SampleTitle/ComposerPerformerTimeStream
1 4:55
2 3:43
3 4:02
4 3:39

วันพุธที่ 19 กันยายน พ.ศ. 2555



Bob Marley



Robert "Bob" Marley, OM (6 February 1945 – 11 May 1981) was a Jamaican singer-songwriter and musician. He was the rhythm guitarist and lead singer for the ska, rocksteady and reggae band Bob Marley & The Wailers (1963–1981). Marley remains the most widely known and revered performer of reggae music, and is credited with helping spread both Jamaican music and the Rastafari movement to a worldwide audience.
Marley's music was heavily influenced by the social issues of his homeland, and he is considered to have given voice to the specific political and cultural nexus of Jamaica.His best-known hits include "I Shot the Sheriff", "No Woman, No Cry", "Could You Be Loved", "Stir It Up", "Get Up Stand Up", "Jamming", "Redemption Song", "One Love" and, "Three Little Birds",as well as the posthumous releases "Buffalo Soldier" and "Iron Lion Zion". The compilation album Legend (1984), released three years after his death, is reggae's best-selling album, going ten times Platinum which is also known as one Diamond in the U.S., and selling 25 million copies worldwide.





Baby I Love Your Way – Bob Marley

Shadows
grow so long before my eyes
And they’re moving across the page
Suddenly the day turns into night
Far away from the city but don’t hesitate
‘Cause your love just won’t wait hey

Ooh baby I love your way every day
Wanna tell you I love your way every day
Wanna be with you night and day

Moon appears to shine and light the sky
With the help of some fireflies
I wonder how they have the power shine shine shine
I can see them under the pines
But don’t hesitate ’cause your love won’t wait hey

Ooh baby I love your way every day
Wanna tell you I love your way every day
Wanna be with you night and day uh yeah

But don’t hesitate ’cause your love won’t wait
I can see the sunset in your eyes
Brown and grey and blue besides
Clouds are stalking islands in the sun
Wish I could dry one out of season
But don’t hesitate ’cause your love just won’t wait hey

Ooh baby I love your way every day
Wanna tell you I love your way uuhh
Wanna be with you night and day

Ooh baby I love your way every day
Wanna tell you I love your way uuhh
Wanna be with you night and day


วันจันทร์ที่ 17 กันยายน พ.ศ. 2555

Paramore

BAND INFO ♥
The combination of musical energy between brothers and Hayley's bold charisma earned them instant attention, particularly from Florida indie Fueled by Ramen, who signed the band and put them to work recording their debut. Says Hayley, "Some of our favorite bands are on Fueled by Ramen. We knew that they would know exactly how to carry out the vision for our band and music." Paramore went into the studio with producers James Wisner (Dashboard Confessional, Further Seems Forever, Underoath) and Mike Green (Yellowcard, The Black Maria) and blew them away with their sincerity and enthusiasm.

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 'Monster'
from Transformers: Dark of the Moon - The Album



Cover Grenade♥

original

Cover Airplanes♥

original

music is in my soul

When you're happy 
View Photo Effect Studio.jpg in slide showyou enjoy the music;
but when you're said,
you understand the lyrics ...






More Than I Can Say - Leo Sayer

Oh oh yeah yeah
I love you more than I can say.
I'll love you twice as much tomorrow

Love you more than I can say.

Oh oh yeah yeah
I miss every single day
Why must my life be filled with sorrow

Love you more than I can say

Don't you know I need you so

Oh
tell me please
I gotta know
Do you mean to make me cry

Am I just another guy?

Oh oh yeah yeah
I miss you more than I can say
Why must my life be filled with sorrow

Love you more than I can say

Oh don't you know I need you so

Oh oh yeah yeah
I love you more than I can say